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Talking to Fran Silvestre about architecture, design and health

Talking to Fran Silvestre about architecture, design and health

APRIL 2025 | 5 minutes

"The more we understand the influence of our environment on our health and mood, the more we can transform the way we design and inhabit the world".

Since he founded his architecture and design studio in Valencia two decades ago, Fran Silvestre has been able to see what people need to live better. Projects of greater or lesser scale, developed with more or less resources, and in which the same philosophy is always present, industrialised, sustainable and allowing people to enjoy a unique and personalised experience. A commitment to health and well-being that now goes a step further, through a collaboration with the Neuroarchitecture Laboratory of the UPV that has allowed him to know the real impact that design and architecture have on people's health.

In the studio you talk about Effective Beauty, as the sum of good design, sustainable elements and spaces that improve people's health. Tell us about how this concept was born and about the evolution of your work since you founded Fran Silvestre Arquitectos 20 years ago.

The concept of Efficient Beauty arises from the idea that architecture should be both aesthetic and functional at the same time. A well-designed project should not only be visually attractive, but also efficient, sustainable and capable of improving the lives of those who live in it.

Since the studio's inception, this principle has guided our evolution, incorporating new technologies, innovative materials and an increasingly precise focus on the relationship between space, light and environment. We strive to make each project timeless, integrating architecture with its context in a natural and effective way.

Your projects share a recognisable image and a very respectful way of being implanted in the territory. How do you manage to maintain this seal of identity and, at the same time, design unique and tailor-made spaces for their inhabitants?

Rather than talking about style or language, which would have to do with the calligraphy or typography with which a text is written, we like to think and work on the content of the message. For each project, the story and the message are always different.

We consider ourselves a studio in constant training, where experience has allowed us to consolidate our values and continue to innovate in our processes. Through this working method, we manage to maintain a recognisable identity while still designing unique spaces, adapted to each place and to those who inhabit them.

The NIU Houses represent a new way of doing architecture, more responsible, systematised and democratic, and which demonstrates how it is also possible to design a unique experience with fewer resources. What has the whole process been like, from its conception to its materialisation, and where are you now?

NIU Houses was born from the idea of creating a more accessible, efficient and systematised architecture without renouncing the quality of the design. The process began with the desire to optimise resources and execution times, applying a construction system that guarantees precision and sustainability in each house.

Since its conception, we have worked on the standardisation of processes without losing the capacity for personalisation, through systematisation, not prefabrication, and a chain of suppliers who build the project as if it were a piece of furniture.

Today, the project continues to evolve with new typologies and improvements in materials and technology, maintaining the commitment to offer responsible, high quality architecture.

Although we have been hearing about good design and sustainability for a long time, the fact that spaces can improve people's wellbeing and health is something relatively new, something that the Neuroarchitecture Laboratory of the UPV is researching. Tell us about the collaboration you have carried out with them in the NIU Houses, how it came about and what it has brought you.

The collaboration with the UPV arises from a long-standing relationship with the institution, as I have been a professor at the university for more than 20 years. The Neuroarchitecture Laboratory was interested in opening up its research to real buildings and communicating the results of its research, and when they discovered in the Welov report that our studio is the one that has the greatest impact on social networks worldwide, they saw, along with other reasons, an opportunity to work together. This synergy has allowed us to explore how neuroarchitecture influences the perception and well-being of those who inhabit the spaces, in this case the NIU, applying innovative methodologies and tools derived from neuroscience to assess its impact in real time.

Thanks to the Laboratory we have been able to analyse from a rigorous scientific approach the impact that design has on our health, and to know how aspects such as circadian lighting, free height, materials or furniture, influence our state of health and mood. All these tools have allowed us to know what we are doing right and what we are doing wrong, and what we can improve.


You talk about how spaces identify us and, although they often look the same, both furniture and architecture acquire a meaning or another depending on where they are placed. What role do you give to furniture in your projects and how, in your opinion, can companies like Actiu help to improve people's health?

Furniture is an extension of architecture and plays a key role in the way we experience spaces, and it is true that our 'system of objects' identifies us. It not only complements design, but also defines the relationship between the user and their environment, influencing comfort, functionality and well-being.

Companies like Actiu can contribute to improving people's health through ergonomic design, the use of healthy materials and solutions that favour flexibility and comfort in work and living spaces. Architecture and furniture must be aligned to create environments that optimise the user experience and promote their wellbeing.

Under the slogan 'Redesigning the world', the MDF seeks to do things differently, from a more responsible approach that takes care of people and the planet. A challenge that more and more of us are joining, but it is important to spread the word. Do you think we are ready for this change or is there still a long way to go, and what do you think is the next step?

The shift towards more responsible architecture and design is an unavoidable necessity, and although we have come a long way, there is still a long way to go. Sustainability and health awareness is becoming more and more present, but these values still need to be integrated more deeply into the design and construction processes, not just as an option, but as a standard.

The next step is to continue to focus on innovation in materials and building systems that minimise environmental impact and improve people's health, while promoting architecture that is more flexible and adaptable to changing needs. Neuroarchitecture plays a key role in this process, allowing us to design spaces that are not only sustainable, but also improve the emotional and cognitive well-being of those who inhabit them. Dissemination is key: the more we understand the influence of our environment on our health and mood, the more we can transform the way we design and inhabit the world.

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